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Classical Raag

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Raags In Melakartha
Timing
The (40) Rules
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The asian or hindustani music is totaly on rules and raagas, the start of the music notes are sergam,, which has seven notes. sa re ga ma pa dha ni sa, the natural notes are taken from Raag Bilawal, that all the notes are ntaural.
Thaat,, is the family of ten importent raags, there are many other raags that comes or belongs to the one of the raags from the thaat.
there are 40 rules to understand the raags, when singin or playing the raag you should know all the 40 rules of the raags which we have mentioned in this site.
Timeing,, Every raags has a fixed time to play or sing which is more importeent in classical raags.


PAGE 01 

THE BASIC NOTES

THE SEVEN NATURAL NOTES OF THE EASTERN AND WESTERN MUSIC

{AROHA}

SA , RE, GA, MA, PA, DA, NI, SA

{VAROHA}

SA, NI, DA, PA, MA, GA, RE, SA

 

  WESTERN NOTES

{SCENDING}

DO, RE, MI, FA, SO, LA, TI, DO

{ESCENDING}

DO, TI, LA, SO, FA, RE, MI, DO

Sa     Re    Ga     Ma      Pa    Dha  Ni  Sa

                         

 

THIS IS THE NATURAL NOTES OF RAAG BILAWAL.

RAAGS

VADI: Any notes can be traced  or been used mostly that’s vadi.

SAMVADI: Notes that been used less than vadi but more than other notes, call samvadi, in raag Malayan the notes ga is vadi and the note ni is samvadi

PAKAD:identify the raags easily,, every raags has different pakad.

CHALAN:The movement of the raag and the start if the raag.

RASA: Rasa is the moods and the color of the raags, every raags has different moods and rasa, you can simply identify the rasa like happy sad love devotions and light rasa, so these are the different rasa in raags.

 

PAGE 02

SHUDDHA SAWAR

THE NAMES AND THE DEFINATIONS OF THE NOTES.

In any given seven-tone mode, the second, third, sixth, and seventh notes can be natural (shuddha, lit. 'pure') or flat (komal, 'soft') but never sharped, and the fourth note can be natural or sharp (tivra) but never flatted

SHUDDHA:Natural notes of sawar.

KOMAL:Soft notes of sawar.

TIVRA:Sharp notes of sawar.

 

 

 

HINDUSTANI                HINDUSTANI                         WESTERN

 NAMES                                  SYMBOLS                             

SHADJA

SHUDDHA  sa

S

TONIC

RISHABH

KOMAL re

R

MINOR 2ND

SHUDDHA   re

R

MAJOR 2ND

GHANDHAR

KOMAL    ga

G

MINOR 3RD

SHUDDHA    ga

G

MAJOR 3RD

MADHYAM

SHUDDHA    ma

M

PERFECT 4TH

TIVRA    ma

M’

AUGMENTED 4TH

PANCHAM

SHUDDHA    pa

P

PERFECT  5TH

DHAIVAT

KOMAL    dha

D

MINOR 6TH

SHUDDHA   dh

D

MAJOR   6TH

NIKHAD

KOMAL   ni

N

MINOR 7TH

SHUDDHA   ni

N

MAJOR   7TH

 

The classical raags are the pure tunes of the music,,,